Ineffable sadness ... Irène Jacob plays both women. Veronique had very free, sensual, and dreamlike qualities. Irène Jacob is incandescent as both Weronika, a Polish choir soprano, and her double, Véronique, a French music teacher. T he first time I saw Krzysztof Kieślowski’s Double Life of Véronique— in a dark Boston University classroom almost 10 years ago—I dozed off for a few minutes. What is there to discuss when you don't even know what happens, or rather what happens is secondary to what it evokes? There are rumors of a release in 2005, but for fans of movies like Amélie hungry for something with a little more depth, The Double Life of Véronique comes most highly recommended -- even if you have to … Weronika prepares for an … Learn English with the movie La Double Vie de Véronique (The Double Life of Veronique) and fleex By watching the movie La Double Vie de Véronique with fleex, you can improve your English effortlessly. I personally think that it's his best individual film. Finally, the Double Life of Véronique we have is one among a multitude of possible versions. Intensely focused on Jacob, The Double Life of Véronique looks like one of those films designed expressly to make us fall in love with its star—an intention felt from the very first close-up of Weronika, in the rain, staying behind to sing alone as the choir disperses around her, her face radiant with delight. The Double Life of Véronique won the Prize of the Ecumenical Jury and the FIPRESCI Prize at the 1991 Cannes Film Festival for Krzysztof Kieslowski, and the Best Actress Award for Irène Jacob. Playing detective, Véronique traces the tape to Paris’s Gare Saint-Lazare, where she finds Alexandre waiting for her. T he Double Life of Veronique is a film about doppelgängers and the idea that somewhere right now there could well be someone who looks just like you yet lives a completely different life. Capturing that ineffable intuition of unity, meaning and influence in all things in art is as challenging as explaining it. Capturing that ineffable intuition of unity, meaning and influence in all things in art is as challenging as explaining it. Later, the adult Weronika sees the world inverted in a transparent ball in which stars float; in the same scene, her train window distorts the landscape outside, seeming to open it up in small folds. Ratings & Reviews ... it sees cosmic meaning in the fragment. Benjamin Reed’s review published on Letterboxd: Kieslowski just gets me, man. la double vie de véronique Chinese meaning, la double vie de véronique的中文,la double vie de véronique的中文,la double vie de véronique的中文,translation, pronunciation, synonyms and example sentences are provided by ichacha.net. Bing Liu’s extraordinary debut feature was originally conceived as a documentary about skaters around the country and ultimately became an unflinching exploration of family, trauma, and the filmmaker’s own life. The mythical chase for meaning. Luis Buñuel weaved together multiple strands of his artistry in his final film, which blends the surrealism of his early years, the melodrama of his 1950s work, and the elegant erotic comedy of his late career. Although there are moments when Weronika/Véronique seems prone to a cloying chirpiness—arising partly from Weronika’s dubbing into Polish—Jacob displays a vibrancy and sustained alertness that energize the screen. . . In a sense, the film is like music: Something that is difficult to articulate meaning from, but is somehow uncommonly effective in swaying our emotions. Suffering from heart problems, she dies in midrecital, shortly after seeing her doppelgänger in a Kraków square. One is called Weronika and the other Veronique. It's an exquisitely crafted, symphonic film, with characters and scenes that haunt the imagination. 10 Reasons Why “The Double Life of Veronique” is the Best Kieslowski Movie Posted on October 4, 2016 October 4, 2016 by Hrvoje Galić Krzysztof Kieslowski is one of those rare directors who can reach the viewer in an almost unexplainable way. Kieślowski even considered preparing multiple versions of the film—one for every screen it played on. That capacity of Weronika’s marks Véronique, too, as an acutely feeling organism, a woman susceptible to grief, liable to fall in love, and seeming to feel only the thinnest membrane separating her from the sensuous world. The two women at different points twist threads around their fingers; Véronique stretches one over a printout of her EKG result, as if tracing an equivalence between her and Weronika’s life lines. The Double Life of Véronique. The name Veronique is a girl's name of French, Greek origin meaning "true image". The lack of this masterpiece's availability on DVD is a sad affair. The Double Life of Véronique 1991 ★★★½ . Summary: Krzysztof Kieślowski’s international breakthrough remains one of his most beloved films, a ravishing, mysterious rumination on identity, love, and human intuition. Veronica seems poised to rise again, along with many other V names, and … Directed by Krzysztof Kieslowski. Watched for Film Club. As a documentarian since the mid-1960s, Kieślowski had exhaustively explored the concrete realities of Communist Poland, but in the early 1990s, he declared a total lack of interest in Polish politics. illustration by Tony Stella. And both women, like Jacob, literally come under the authority of the father figure who is Kieślowski himself—making both the actress and her twin characters disturbingly akin to the Véronique puppets seen at the end. Meaning it is about everything that comes with love: the wonderful, the hurt, the distance, the beauty. Such is the meaning within the vague proceedings of The Double Life of Véronique. The brief credit sequence shows a prefigurement of Weronika in the Kraków square, as if the moment were suspended outside time, captured in a distorting lens. Review by Tim Curry Pro. The Double Life of Véronique retains the kind of mystery that subsists when the search for meaning and shape is undertaken with the seriousness and pleasure of game playing. constantly trying to search for an explanation distracts from the true experience provided by The Double Life of Véronique, which is something i wish i knew before watching. The Double Life of Véronique is a film that's so hard to discuss because it is a film so centered on mood. The Double Life of Véronique is a puzzle film, itself a metaphor for life: a mystery that may have a design but, if so, willfully obscures it to force us to pursue meaning. he sheer, heart-stopping beauty of Irène Jacob is what shines out, firstly, from this welcome revival of Krzysztof Kieslowski's great movie from 1991. The British critics, for example, scored it anywhere from 10/10 to 2/10. 7 0; Ayesha's rating of the film The Double Life of Véronique ... and then the life of Veronique, is reflected back and forth in a dreamlike and hypnotic way. That double is the French music teacher Véronique; immediately after the death of Weronika, of whose existence she has no inkling, Véronique experiences an uncanny sense of grief and solitude and consequently quits her other career as a singer. Véronique (Irène Jacob) is a French woman on vacation in Warsaw. Maybe because she has not had the international career of her Kieslowski contemporary Juliette Binoche, her face is not as familiar - so the reappearance of this fine performance has an added force and freshness. And the ten-part Decalogue (1988), based on the Ten Commandments, contemplates fate and the interconnectedness of human lives in a harshly realistic setting. Maybe because she has not had the international career of her Kieslowski contemporary Juliette Binoche, her face is not as familiar - so the reappearance of this fine performance has an added force and freshness. I won’t lie that I think some of this story and it’s meaning was lost on me. The Double Life of Véronique is the story of two young women who are -- in some mysterious and irresolvable way -- the same woman leading two different yet interconnected lives. Directed by Krzysztof Kieślowski • 1991 • France Starring Irène Jacob, Philippe Volter, Sandrine Dumas Krzysztof Kieślowski’s international breakthrough remains one of his most beloved films, a ravishing, mysterious rumination on identity, love, and human intuition. I think kieslowski is … Kieślowski inarguably achieved his desired escape from literalism in The Double Life of Véronique and Three Colors. The Double Life of Véronique opens the possibility for a reading of life and the body as being immanently related to a differential field of indeterminate sense and incorporeal potential. Audience Reviews for La Double Vie de Véronique (The Double Life of Veronique) Oct 08, 2015. In music there’s Frédéric Chopin, in chemistry there’s Marie Curie, and in film there’s Krzysztof Kieslowski. The name Veronique is a girl's name of French, Greek origin meaning "true image". As she tells Alexandre (the puppeteer), all her life she's felt as if she knows "what she should do"; she has felt the hand of fate guiding her actions. Significantly, Kieślowski’s final film, Red, widely expected to receive the Palme d’Or at Cannes in 1994, was trumped by Quentin Tarantino’s Pulp Fiction, a film structured similarly to the Three Colors trilogy but in which the play of interlinked destinies was proudly exposed as a gratuitous effect of narrative game playing. Later, when Véronique receives the mysterious phone call, we see a reprise of Weronika’s death, an image dimly seen through an amorphous body of red-brown light or liquid, as if preserved in an amniotic haze. The Double Life of Véronique is remarkable for sustaining a delicate com­bination of simplicity and unfathomable complexity—or at least the impression of such complexity. Weronika spots Véronique on the bus and has only a few moments to stare in wonder as the bus drives away. Kieślowski denied that there were any metaphors in his films: “For me, a bottle of milk is simply a bottle of milk; when it spills, it means milk’s been spilled. I was hungry when I decided to watch The Double Life of Veronique and I'm still hungry. In its teasing, fragmentary nature, it may well outlast the Three Colors trilogy, with its somber attempt at a definitive encapsulation of the human predicament at the end of the European twentieth century. La Double Vie de Véronique (1991) aka The Double Life of Veronique directed by Krzysztof Kieslowski Frames in this review are taken from the Criterion Collection DVD. The sheer, heart-stopping beauty of Irène Jacob is what shines out, firstly, from this welcome revival of Krzysztof Kieslowski's great movie from 1991. Véronique receives an anonymous phone call—which fascinates rather than threatens her—during which she hears a snatch of the music that Weronika was singing when she died and that she herself is teaching at school. If you do, they seem trivial and stupid.” Put simply, the film explores this premise: two young women, one French, one Polish, are for all intents and purposes one and the same, and yet irreducibly different. Kieślowski and director of photography Sławomir Idziak consistently use a yellow-green filter that fills the world with a seemingly benign, autumnal glow. it is undeniable that the filmmaking aspects of this are perfect. The Double Life of Veronique is so packed with content and symbolism, it's pretty impossible to catch it all in just one viewing. Ratings & Reviews. Yet in the long run, cinema culture in the nineties proved to be more receptive to literalism than to any suggestion of metaphysical resonance. The Double Life of Véronique (1991) cast and crew credits, including actors, actresses, directors, writers and more. One of the film’s most compelling aspects is its explicit self-reflexivity, of which the marionettes are the most extreme and, it must be said, most arch manifestation. it is important to dive into this film with the right mindset, though. Nothing more.” Yet he also confessed that he aspired to those moments when a film manages to escape from literalism. She unknowingly takes a photo of her Polish double Weronika (also Jacob). I really love all of his work, and Three Colors as a whole (and individually) is a masterpiece, but on a single movie level I still view Double Life … It has mostly been the case that this blog does not trade in the review and analysis of classic films, for any number of good and bad reasons. In a sense, the film is like music: Something that is difficult to articulate meaning from, but is somehow uncommonly effective in swaying our emotions. The narrative is also, of course, an ingenious response to a professional challenge: how can a Polish director best face the demands of a European coproduction to be shot in his own country and in France? The Double Life of Véronique is a French and Polish-language film directed by the great Polish director Krzysztof Kieslowski. It evokes. illustration by Tony Stella. Kieślowski claimed that this choice of color was a matter of visual contrast, determined by the dominant gray of the film’s locations, Kraków and Clermont-Ferrand. It is this incompleteness, this sense of the provisional and arbitrary, that finally ensures the film’s sense of mystery and saves it from the sometimes oppressive weight of narrative authority that overburdens Three Colors. Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. Krzysztof Kieslowski was one of the difining filmmakers in 80s and 90s art house cinema and sadly passed away in 1996 at age 54. . The film, it’s worth noting, does not represent nearly as much of a break with Kieślowski’s Polish features as it may initially have seemed. Review by AaronLevins. With Irène Jacob, Wladyslaw Kowalski, Halina Gryglaszewska, Kalina Jedrusik. Krzysztof Kieslowski's The Double Life of Veronique (La Double vie de Véronique) not only acknowledges this idea of slightly-tweaked existences, but also perceptively -- and with a painterly, figurative eye -- outlines how a unique girl differs between two versions of the same life, shaped by her surroundings and decisions. The Double Life of Véronique - Movie review by film critic Tim Brayton. Two parallel stories about two identical women; one living in Poland, the other in France. The Double Life of Véronique, his first true foray into the decade, is, in a single film, every bit the triumph of the multi-entry behemoths that surround it. France has long served as a haven for Polish expatriates. In the otherwise seemingly naturalistic No End (1985)—cowritten by Krzysztof Piesiewicz, collaborator on Kieślowski’s subsequent fictions, The Double Life of Véronique included—a woman receives visitations from her dead husband. Tim Curry’s review published on Letterboxd: ... but there were key story moments that make those seemingly ordinary scenes hold a different meaning. There is daring as well as simplicity in Kieslowski's conceit, and it will continue to baffle as many as it intrigues; every time I see it, I confess to wondering if Kieslowski quite worked out or worked through all the implications of his story. Significantly, when a demonstration takes place in a Kraków square, Weronika, sunk in her own thoughts, walks in the opposite direction from the crowd. It is the sense of pervasive trompe l’oeil, of the conjurer’s—rather than the puppeteer’s—art, that makes the film endure as a spellbinding experience, as well as a perplexing one. ... A good way to learn the meaning of "stone-age", "catbird" or "child-abuse". The Double Life of Véronique 1991 ★★★★★ Watched Sep 02, 2020. The Double Life of Véronique is a tenderly photographed account of two women (one in Poland and the other in France, both portrayed by the deity Irène Jacob) living eerily analogous lives. If you’re used to fast paced, plot-driven films this film will leave you with more questions than answers, but that’s part of its beauty and enduring attraction. What makes it a must-see, however, is the generous, unselfconscious passion of Jacob's performance as a young woman - two young women - in love. He also writes on film for the Observer, Sight & Sound, and Screen Daily and is program adviser on French cinema for the London Film Festival. I can only say that the opening image of Jacob, as the young Polish singer Weronika, transfigured by music and literally singing in the rain, is quite captivating. In another version, this intrigue disappeared completely. I've barely eaten today. The Double Life of Véronique:Through the Looking Glass. Véronique's identity, her very existence, become vivid and deeply felt because the fable or mirage of its duality has allowed it to be questioned and examined. Both women are sexually active, yet their truly intense ecstasies come in nonsexual situations: few cinematic images of female pleasure are as pronounced as Weronika’s face in the rain, or as that swooping camera movement over Véronique when she gets up after reading on her bed. Audience Reviews for La Double Vie de Véronique (The Double Life of Veronique) Oct 08, 2015. She abandons it - to the horror of her teacher - and her artistic and spiritual life is displaced into a difficult love affair. But then, the Alexandre intrigue is explicitly about contrivance. 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